Last edited by Mazujora
Wednesday, August 5, 2020 | History

6 edition of Transnational Chinese Cinemas found in the catalog.

Transnational Chinese Cinemas

Identity, Nationhood, Gender

by Sheldon Hsia-Peng Lu

  • 55 Want to read
  • 28 Currently reading

Published by University of Hawaii Press .
Written in English

    Subjects:
  • Films, cinema,
  • Hong Kong,
  • Film And Society,
  • Performing Arts,
  • Pop Arts / Pop Culture,
  • Taiwan,
  • Cinema/Film: Book,
  • China,
  • Motion pictures,
  • Asia - China,
  • Film & Video - History & Criticism,
  • History / China,
  • Performing Arts-Film & Video - History & Criticism,
  • Film & Video - General

  • The Physical Object
    FormatPaperback
    Number of Pages432
    ID Numbers
    Open LibraryOL8161349M
    ISBN 100824818458
    ISBN 109780824818456

      The Paperback of the Transnational Chinese Cinema: Corporeality, Desire, and Ethics by Brian Bergen-Aurand at Barnes & Noble. FREE Shipping on $35 or Due to COVID, orders may be : Brian Bergen-Aurand. Remade in Hollywood: The Global Chinese Presence in Transnational Cinemas Kenneth Chan. Chan looks at the dramatic post surge in Chinese presence in Hollywood, especially through the works of Ang Lee, John Woo, etc. You can write a book review and share your experiences. Other readers will always be interested in your opinion of the.

    Transnational Chinese Cinemas: Identity, Nationhood, Gender, ed. Lu, Sheldon Hsiao-peng (Honolulu: U of Hawaii P, ), Optional Reading: Leo Ou-fan Lee, “The Urban Milieu of Shanghai Cinema, Some Explorations of Film Audience, Film Culture, and Narrative Conventions,” Cinema and Urban. This is the second cinema in Jakarta with IMAX 3D technology. It is similar to the one in Gading, but with less studios. Only 1 has a Dolby Atmos sound system. CGV-Blitz - Mall of Indonesia The second largest CGV-Blitz cinema in Jakarta after the one in Grand Indonesia. Opened in , it has 10 auditoriums with 1, seats on a total space of.

    "Transnational Chinese Cinema touches the edge of previously unexplored grounds, providing new perspectives on the ways films can be read. By incorporating the sensibilities of scholars adept in film theory, embodiment studies, philosophy and cultural studies, the collection engages insightfully with Chinese cinema, charting the way we encounter transnational Chinese cinema .   The Chinese Cinema Book provides an essential guide to the cinemas of the People's Republic of China, Hong Kong, Taiwan and the Chinese diaspora, from early cinema to the present day. With contributions from leading international scholars, the book is structured around five thematic sections: Territories, Trajectories, Historiographies; Early Cinema to .


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Transnational Chinese Cinemas by Sheldon Hsia-Peng Lu Download PDF EPUB FB2

Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation.

Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity Cited by: As promised in the title, the author seeks to participate in the academic debates concerning "Chinese transnational cinema" that began in the late s, and to historicize issues of the geography of Chinese film production in Cold War Asia." - Yung Sai-shing, National University of Singapore, Asian EthnologyCited by: 8.

Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow.

Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese 4/5(1). Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation.

By examining a cinema that did not fit many of the scholarly models of ‘transnationalism’, that was not grounded in any particular national tradition of filmmaking and that was largely unconcerned with ‘nation-building’ in post-war Southeast Asia, this book challenges the ways in which the history of Chinese cinemas has been studied in Cited by: 8.

Book Description. Based on extensive original research, including in studio archives, industrial surveys, official records, trade journals, and English and Chinese newspapers, this book explores the role of the American film industry in the development of cinema in China.

In this book the authors discuss the central topic of a national cinema and analyze the emergence of "transnational cinema" in Chinese film studies.

Applying different methodologies and approaches, they explore the interrelations of national cinematic style, global capitalism, the evolution of the modern nation-state, cultural politics /10(14).

Historical Introduction Chinese Cinemas (–) and Transnational Film Studies Historical Introduction Chinese Cinemas (–) and Transnational Film Studies (pp.

) Sheldon Hsiao-peng Lu This volume of essays is a collective rethinking of the national/transnational. book review Childhood and nation in contemporary world cinema: borders and encounters edited by Stephanie Hemelryk Donald, Emma Wilson and Sarah Wright, London, Bloomsbury Academic,1st edition, pp., £85 (hardback), ISBN£29, (paperback), ISBN£35, (e-book), ISBN Transnational Chinese Cinemas Identity, Nationhood, Gender Edited by Sheldon Hsiao-peng Lu University of Hawaii Press Honolulu Chapter 11 The New Woman Incident Cinema, Scandal, and Spectacle in Shanghai Kristine Harris When the silent film The New Woman (Xin nvxing) opened in Shanghai during the lunar new year festival ofFile Size: 1MB.

Chinese transnational cinemas. This essay returns to the Chinese case in an effort to think further about defining and researching transnational cinema with the kind of critical awareness Higbee and Lim call Size: KB.

Based on extensive original research, including in studio archives, industrial surveys, official records, trade journals, and English and Chinese newspapers, this book explores the role of the American film industry in the development of cinema in by: 1.

By examining a cinema that did not fit many of the scholarly models of ‘transnationalism’, that was not grounded in any particular national tradition of filmmaking and that was largely unconcerned with ‘nation-building’ in post-war Southeast Asia, this book challenges the ways in which the history of Chinese cinemas has been studied in.

Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation.

and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern. Annual Film Quarterly Film Book Survey, Part II; Review: Transnational Chinese Cinemas: Identity, Nationhood, Gender by Sheldon Hsiao-peng Lu.

Phebe Chao. Film Quarterly Vol. 53 No. 1, Autumn, (pp. ) DOI: / Article; Info & Metrics; PDF; Previous Next. This is a PDF-only article.

Author: Phebe Chao. In this book the authors discuss the central topic of a national cinema and analyze the emergence of "transnational cinema" in Chinese film studies. Applying different methodologies and approaches, they explore the interrelations of national cinematic style, global capitalism, the evolution of the modern nation-state, cultural politics.

Sinascape: Contemporary Chinese Cinema is one of the most comprehensive studies of transnational Chinese-language films at the turn of the millennium. Gary Xu combines a close reading of contemporary movies from China, Taiwan, and Hong Kong with an intimate look into the transnational Chinese film industry, based on his working relationship with filmmakers.

work on transnational Chinese cinemas (b), Nestingen and Elkington s collection on transnational Nordic cinema () and Tim Bergfelder, Sue Harris and Sarah Street s study of set design in European cinema of the s.

The Early Transnational Chinese Cinema Industry - CRC Press Book Based on extensive original research, including in studio archives, industrial surveys, official records, trade journals, and English and Chinese newspapers, this book explores the role of the American film industry in the development of cinema in China.

East Asian Cinemas Regional Flows and Global Transformations. Editors (view affiliations) Vivian P. Lee; Transnational Chinese Cinema, Postmodernism, and the Transcendental Style.

Gina Marchetti. This book is an original volume of essays that sheds new and critical light on current and emerging filmmaking trends and practices in. those ethnic Chinese moviegoers who grew up in the cities of Southeast Asia in the s and s. This book goes far beyond reconstructing the historical past of this body of Chinese dialect movies.

As promised in the title, the author seeks to participate in the academic debates concerning “Chinese transnational cinema”.

For those interested in Overseas Chinese, Taiwan or Chinese cinema, this book is a gem!" - J. Bruce Jacobs, Monash University; The China Journal, No. 67 "Jeremy E. Taylor's Rethinking Transnational Chinese Cinemas: The Amoy-Dialect Film Industry in Cold War Asia is the first English-language research monograph on the Amoy-dialect film industry.4/5(1).

xiii, p.: 24 cm Includes bibliographical references (p. ) and index Pt. I. Nation-Building, National Cinema, Transnational Cinema. Anti-Imperialism and Film Censorship During the Nanjing Decade, / Zhiwei :